With an official release date of October 30, 2012, just in time for Halloween, author Tarrin Lupo presents us with a new sort of vampire tale that is certain to make any libertarian’s skin crawl. While not intended to be a traditional horror novel, One Nation Under Blood is nonetheless a frightening tale of what can happen when government regulation and patriotism go too far.

In Lupo’s dystopian novel, it is discovered that blood transfusions can offer more than the gift of life to a needy recipient. Performed correctly, they serve as a fountain of youth, transferring rejuvenating properties from the blood of a child into the veins of an adult. Older generations are thrilled at the chance to become healed of their ailments and erase years from their appearance, leading to a huge demand for young blood that creates an unparalleled shift in the balance of wealth from the old to the young.

When blood transfusions become a target for politicians eager to profit from the new technology, the demand overwhelms the willing donor population and a new source of young blood must be found. By the power of legislation and with the help of a successful propaganda campaign, orphans and the children of immigrants are soon forced into concentration camps where they are made to give up their blood as a patriotic service to their country.

By telling the story through the eyes of those being taken advantage of, the author allows us to put ourselves in the place of those who face similar discrimination today. Although the novel is fiction, readers will find many similarities between the story world and our own. Perhaps the scariest notion is that we can easily imagine our society being swayed into nearly identical unspeakable actions under the pretense of protecting the children.

The author does a good job of demonstrating how interference in a market leads to increasing problems in supply and demand. Before the government interferes, the blood market is relatively stable. Children have become independently wealthy, and have developed a social network to coordinate transfusions at price rates that reflect age and purity. When a group of senators decide to regulate the blood market in the name of protecting the children, we are able to see how these changes do more harm than good.

We are also shown several examples of how politicians can manipulate a population by using regulation to create problems that then have to be “solved,” usually by the passage of new legislation that would have otherwise been unpopular. The book describes a slippery slope wherein these methods are used to gain profit at the expense of the young. To meet the public demand of young blood, a number of new laws are passed. One particularly horrific example is that citizens are paid bribes to turn in any neighbor who is neglecting their child; this of course leads to all sorts of false accusations and many innocent families are torn apart in the process. Lupo thus shows how the least popular members of a community can easily become victims of those in power, through the use of nationalist propaganda that leads to the rationalization of that victimization by those who previously would have spoken up on their behalf.

The author’s political beliefs are a major influence in his writing, and while he doesn’t go into great detail about the science involved in the blood transfusion technology developed in the novel, Lupo devotes a lot of time here to the ideas of freedom and self-ownership that libertarian science fiction fans relish. You’ll find many enemies of liberty within the novel, from security checkpoints and immigration raids to crooked politicians and abusive government agents.

While there are a few details I didn’t like about the story, such as the main characters’ father showing overwhelming naiveté throughout the story, and the sometimes lack of a prominent inner dialogue (for which I have a personal preference), I enjoyed reading One Nation Under Blood and was delighted to find that both the writing and the plot seemed to get better as the story progressed.

Ernest Cline is a science fiction fan and video game enthusiast who, as a former tech support employee, has spent most of his working hours surfing ’80s pop culture on the internet. As an author, he has successfully drawn from these interests to write an engaging story that weaves new technology with low-tech nostalgia. Although he has previously written about the gaming world (his screenplay Thundercade follows a video gamer’s quest to restore his championship gaming title), Cline takes the concept to an exciting new level in his science fiction novel Ready Player One, Prometheus Award finalist and our June Lightmonthly Read, which offers the reader a full immersion into the world of virtual reality gaming.

Ready Player One begins in the year 2044, and protagonist Wade Watts doesn’t have much going for him in the desolate Portland Avenue Stacks. He’s an overweight, unpopular orphan living with his aunt in a crowded RV park, where the RVs are stacked up to 20 units high in an effort to accommodate everyone in an overpopulated city fraught with power outages and gunfire. Wade finds solace by playing video games and watching reruns of family sitcoms from the ’80s, trying to lose himself in a decade when the world was a simpler and friendlier place. He also spends much of his free time logged into the OASIS, a massively multiplayer online game that has evolved into a virtual reality-based global network.

The online world of OASIS is not without conflict, however. The creator of OASIS, James Halliday, died five years before without naming an heir. At his behest, a contest is being held to determine who will control the OASIS. In his video will, Halliday explains that he has hidden three keys (Copper, Jade, and Crystal) to three gates in the simulated world of the OASIS. The first person to pass through all three gates will become heir to Halliday’s multi-billion dollar estate and gain full control of the OASIS.

Desperate to find a way out of the Stacks, Wade becomes a gunter (short for “egg hunter,” a reference the Easter egg hidden in the video game Adventure). Because Halliday had an infatuation with ’80s pop culture, his death sparks a global obsessive interest; spiked hair and acid-washed jeans come back into style, and gunters attentively study the decade’s fads and trends in hopes of discovering a clue to the keys’ locations.

Wade hopes his own vast knowledge of the decade will give him an edge in the competition, but the odds are against him. He must race to find the keys before they are found by another gunter — or worse, by the Sixers, employees of the dangerous Nolan Sorrento and Innovative Online Industries, a corporation set on gaining control of OASIS at any cost.

While the plot is engaging, the most captivating aspect of the book by far is the world of the OASIS. Through the eyes of Wade’s avatar, Parzival, the reader is invited to explore the virtual world in great detail, and we are able to experience the action firsthand as Parzival travels through the OASIS in his search for the elusive keys. Many of the OASIS zones are modeled after classic video game environments, and some of the more interesting action in Ready Player One takes place in virtual reality arcades, with the characters acting out dialogue from cult classics such as the movie WarGames and trying to beating high scores on the arcade games Joust and Pac Man.  The world of the OASIS is described in great detail; however, little attention is given to the relationships between the characters, and as a result they seem slightly less important than the setting itself.

While Ready Player One has many great elements, there are a few other minor problems with the story that should be pointed out. The book starts with an exciting prologue, but the first few chapters were very slow paced.  Too much time passes without action, with the author writing lengthy descriptions of themes that later prove unimportant to the plot and introducing others that remain undeveloped.

A related problem is that details of the OASIS itself and various pop culture elements seem excessive at times. When considering Cline’s target audience, one wonders why explanations of avatars and chat rooms are necessary. Cline’s readers are most likely already familiar with these concepts, so this only serves to stand in the way of the enjoyment of the story.

In contrast, there were also times when the author intentionally kept information hidden, and dramatic conflicts were resolved by divulging that actions had been taken in the past that allowed the character to easily sidestep the problem. This made the resolution a bit unbelievable, almost as if a bit of cheating had taken place on the author’s end.

Because the villains in the story represent an evil corporation and there is mention of an ongoing global energy crisis and catastrophic climate change, the story seems to have a slightly leftist slant. There is a refreshing passage that states the characters’ preference for private education in the OASIS, which is funded entirely by private charity, because the public school system is “underfunded” and overcrowded.

To my dismay, however, there was nothing overtly libertarian to be found elsewhere in the story. There is virtually no government presence beyond a few minor regulations — such as those pertaining to the purchase of weapons and body armor from vending machines — but it is unclear whether the author views having so little government as a sign of progress or is using the absence of regulation to explain why there is a three-decade Great Recession taking place.