Prometheus Award Winners

Pirate Cinema by Cory Doctorow

The Libertarian Futurist Society issued a press release on Saturday, July 20th, announcing this year’s winners of the Prometheus Award for Best Libertarian Novel and the Hall of Fame Award.

Best Novel

Winner

Finalists

Hall of Fame

Winner

Finalists

My thoughts on the results briefly: I still wish actual libertarian authors would win more often. Step up, people!

Cryptonomicon by Neal Stephenson

There are a number of familiar names listed here, including past winners Cory Doctorow, Sarah Hoyt, Dani and Eytan Kollin, Neal Stephenson, Poul Anderson, and Donald M. Kingsbury.

Tobias S. Buckell, Daniel Suarez, Lois McMaster Bujold, Harlan Ellison, and Rudyard Kipling have been finalists before.

In other words, no newcomers made it to finalist this year. I hope this doesn’t become a trend and that fresh talent is not being overlooked.

I haven’t read Pirate Cinema, but I have reviewed three of Doctorow’s previous novels: Little Brother (2009 winner), Makers (2010 finalist), and For the Win (2011 finalist). I hope that Doctorow was able to sustain his radical momentum through the end of the book this time around, but if he follows the pattern set in these other books I expect Pirate Cinema to have a rather milquetoast ending as well. I hope I’m wrong, because it won and it deals with timely and important issues surrounding civil liberties, intellectual property, and resistance.

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Alongside Night by J. Neil Schulman

Alongside Night by J. Neil Schulman

On September 10th at 8 PM EST, Laissez Faire Books will be hosting what I assume is going to be a Q&A-type event on their blog. Wendy McElroy posted the announcement and will be moderating the event. J. Neil Shulman, Prometheus Award–winning author of Alongside Night, and graphic novelist Scott Bieser, will be participating.

The event is meant to celebrate and publicize commencement of the shooting of a movie adaptation of Schulman’s novel. Kevin Sorbo (Hercules, Andromeda, Kull the Conqueror) will star in the movie as Dr. Vreeland. Alongside Night is billed as “a prophetic movie about the economic and social collapse of society. At its core, however, Alongside Night is an optimistic vision of rebellion and the triumph of freedom.”

Head over to the LFB blog for more information and McElroy’s review of the novel. [Update: And her new interview with Schulman.] Come back to read our interview with Schulman.

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The Freedom Maze by Delia Sherman

The Freedom Maze by Delia Sherman

The Libertarian Futurist Society issued a press release on Friday, July 13th, announcing the winners (plural) of the 2012 Prometheus Award for Best Libertarian Novel.

The winners and finalists, with links to our reviews:

The Winners

The Finalists

The 2012 Prometheus Hall of Fame Award winner is “The Machine Stops” by E.M. Forster.

Our Take

We’re not sure we would have recommended any of the finalists for the Prometheus Award this year.

We haven’t read The Freedom Maze yet, so we can’t question its selection as a co-winner. Maybe it is worthy and we’ll discover this if and when we get around to reading it. Clearly it meets the criteria of the LFS voting membership.

While we enjoyed Ready Player One we do not think it was libertarian enough to qualify for the Prometheus Award. The same goes for The Children of the Sky and The Restoration Game.

While In the Shadow of Ares was libertarian enough, and apparently written by actual libertarians (unlike many Prometheus Award winners), and we enjoyed it, we do think the writing quality was not quite there. The authors are ones to keep an eye on, however.

We’re currently reading Snuff and, as one would expect from Terry Pratchett, it is well written. Whether we think it is unambiguously libertarian enough remains to be seen. We’ll publish a review in early August.

We’d love to publish a review of Delia Sherman’s The Freedom Maze, if anyone is interested in submitting one.

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Ready Player One by Ernest Cline

Ernest Cline is a science fiction fan and video game enthusiast who, as a former tech support employee, has spent most of his working hours surfing ’80s pop culture on the internet. As an author, he has successfully drawn from these interests to write an engaging story that weaves new technology with low-tech nostalgia. Although he has previously written about the gaming world (his screenplay Thundercade follows a video gamer’s quest to restore his championship gaming title), Cline takes the concept to an exciting new level in his science fiction novel Ready Player One, Prometheus Award finalist and our June Lightmonthly Read, which offers the reader a full immersion into the world of virtual reality gaming.

Ready Player One begins in the year 2044, and protagonist Wade Watts doesn’t have much going for him in the desolate Portland Avenue Stacks. He’s an overweight, unpopular orphan living with his aunt in a crowded RV park, where the RVs are stacked up to 20 units high in an effort to accommodate everyone in an overpopulated city fraught with power outages and gunfire. Wade finds solace by playing video games and watching reruns of family sitcoms from the ’80s, trying to lose himself in a decade when the world was a simpler and friendlier place. He also spends much of his free time logged into the OASIS, a massively multiplayer online game that has evolved into a virtual reality-based global network.

The online world of OASIS is not without conflict, however. The creator of OASIS, James Halliday, died five years before without naming an heir. At his behest, a contest is being held to determine who will control the OASIS. In his video will, Halliday explains that he has hidden three keys (Copper, Jade, and Crystal) to three gates in the simulated world of the OASIS. The first person to pass through all three gates will become heir to Halliday’s multi-billion dollar estate and gain full control of the OASIS.

Desperate to find a way out of the Stacks, Wade becomes a gunter (short for “egg hunter,” a reference the Easter egg hidden in the video game Adventure). Because Halliday had an infatuation with ’80s pop culture, his death sparks a global obsessive interest; spiked hair and acid-washed jeans come back into style, and gunters attentively study the decade’s fads and trends in hopes of discovering a clue to the keys’ locations.

Wade hopes his own vast knowledge of the decade will give him an edge in the competition, but the odds are against him. He must race to find the keys before they are found by another gunter — or worse, by the Sixers, employees of the dangerous Nolan Sorrento and Innovative Online Industries, a corporation set on gaining control of OASIS at any cost.

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