The Write Tip

On September 11, 2012, the document editor in Google Docs (now part of Google Drive) finally became useful to me for use in writing groups. The web app has long had a feature that enables users to create, reply to, and resolve comments in a Google document, much like the commenting system in Microsoft Word. But the Android app lacked these features until now.

Why You Should Use Google Docs and Drive in Your Writing Critique Group

No longer will I have to sit in front of my computer to read (not as pleasant as reading on a tablet) and comment, or read on my tablet only to return to my computer periodically to record my reactions (to the best of my memory), or switch between documents or apps on my tablet (a pain). Finally, I can open a writing-group partner’s chapter on my tablet, sit back and relax and read through it, and insert my reactions as I have them directly in the document — all without having to be anywhere near my laptop. This being Google Drive, the rest of the writing group will be able to see my comments as soon as I save them.

If you do all of your (early draft) writing in Google Drive anyway, most of what follows may not be all that useful to you. All you need to do to use Google Drive in your writing group is share your document with the other members and enable commenting. No need to email Microsoft Word documents or RTF files back and forth. No need to print out multiple copies of your story, exchange them with your group, and then receive multiple marked up copies back a week or more later. Just share a link, and everyone’s comments will appear in your single document.

Google Drive and its office suite, Google Docs, are perfect for online writing groups, but writing groups that meet in person can also find them useful.

If you prefer to use a different word processor for your writing, you can still use Google Drive in your writing group to share documents and comment on them. There will just be more steps involved in exporting and importing your files to and from Google Drive. Below I’ll lay out the steps for doing this, with a focus on the Scrivener for Windows app because it is such a fantastic writing tool and the process involved with it is a little more complex than, say, for MS Word.

Before launching into the tutorial, allow me to first plug our community forums. If you’re a liberty-loving fiction author or aspiring fiction author, you may be interested in exploring and participating in a set of forums we created just for you. In these, you can discuss the craft and business of writing, participate in writing groups, and showcase your work.

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Higher Cause by John Hunt

This review is part of a series covering each installment of the serialized novel Higher Cause, written by John Hunt and published by Laissez Faire Books. To catch up, start with the announcement, the book’s link-rich table of contents, and the first review.

Higher Cause by John Hunt

The eighth part of Higher Cause is out. Three chapters this time, and a real sense that the main plot is truly underway. I have some suggestions for streamlining, slicing off what does not aid the book and leaving some succulent, lean meat behind.

The first chapter takes us to more new characters, two of them. This is starting to happen with some frequency in the novel, and I am growing a little impatient with it. There is quite an investment of words given to these two men, which comes at the expense of making us wait on the storylines we are invested in. In truth, the chapter does not feel like it ought to have been a chapter all by itself. I would counsel shortening it and tacking it on to the end of another chapter, giving us just the bare essentials. Give us the important points and move the plot.

The last part saw a character introduced and developed at some length only to have him perish before the chapter ended. If these two men are going to figure large in the book, perhaps a little time spent here is OK, but if they are never going to be more than secondary characters — and after such late introductions, one wonders how primary they could possibly be — I think much of this should be edited. Whether it turns out to be worth it will depend on what happens next.

We follow them around in some detail as they perform their task, but one wonders if all these details are necessary. Again, another character’s bio sheet was told to us, rather than giving us an opportunity to get to know him by his words and actions. Did we enter the scene as late as possible and leave it as soon as we could? I do not think so, and the surplus detail exacerbates the problem.

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Alongside Night by J. Neil Schulman
Alongside Night by J. Neil Schulman

On September 10th at 8 PM EST, Laissez Faire Books will be hosting what I assume is going to be a Q&A-type event on their blog. Wendy McElroy posted the announcement and will be moderating the event. J. Neil Shulman, Prometheus Award–winning author of Alongside Night, and graphic novelist Scott Bieser, will be participating.

The event is meant to celebrate and publicize commencement of the shooting of a movie adaptation of Schulman’s novel. Kevin Sorbo (Hercules, Andromeda, Kull the Conqueror) will star in the movie as Dr. Vreeland. Alongside Night is billed as “a prophetic movie about the economic and social collapse of society. At its core, however, Alongside Night is an optimistic vision of rebellion and the triumph of freedom.”

Head over to the LFB blog for more information and McElroy’s review of the novel. [Update: And her new interview with Schulman.] Come back to read our interview with Schulman.

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Worldcon banned by UStream for copyright infringement

If you tried to watch the livestream of the Hugo Awards event at Chicon 7 (Worldcon) last night, you were in for a rude surprise. The feed cut off, never to be restored, just as Neil Gaiman was giving his acceptance speech.  Why? i09 has the scoop, but fingers the wrong culprit.

Worldcon banned by UStream for copyright infringement

What happened was that the Hugo Awards showed clips from some Doctor Who episodes and a Community episode prior to Gaiman’s speech. UStream’s copyright enforcement robots detected this and shut down the feed, as they had been programmed to do. io9’s editor-in-chief, Annalee Newitz, lays the blame on UStream. Its copyright enforcement robots are too dumb to realize that not only did the Hugo Awards have permission to show those clips but that, even if they had not, showing them would have been fair use anyway.

Is it UStream’s fault that its copyright enforcement robots are unable to distinguish between illicit copyrighted content and copyrighted content the user has permission or a fair-use defense for airing? Should UStream spend more money on smarter robots? if it’s even possible to code smart enough robots to do this? I don’t think so.

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