Geoffrey Allan Plauché

As I mentioned in my review of Crystal Rain, I enjoyed reading Tobias Buckell’s debut novel, but I enjoyed reading the sequel, Ragamuffin (Tor, 2008), even more. This may be because Buckell has grown as a writer or it may be because Ragamuffin is more a traditional galaxy-spanning space opera, one of my favorite subgenres. But another reason is that there are more prominent libertarian themes in Ragamuffin than there were in Crystal Rain, enough that it was a finalist for the 2008 Prometheus Award.

Where Crystal Rain was set on a lost colony planet mostly devoid of advanced technology, Ragamuffin opens on an advanced planet ruled by an alien race called the Gahe, who are themselves a client race under the rule of the secretive Satraps. Human beings are officially “free” in the “benevolent” Satrapy, but in fact are forced to live on the margins of society — on space stations in the middle of nowhere, on interdicted planets cut off from the rest of the galaxy by collapsed wormholes (including Earth itself), or on reservations. On the Gahe planet, Astragalai, humans who don’t want to serve in the role of intelligent pet for a Gahe master must live on a reservation, which they can only leave when granted a temperary “human safety” pass. Woe to the human who does not return to his reservation before his temporary pass expires: the penalty is death or enslavement.

We are first introduced to the protagonist of the novel, Nashara, on one such reservation called Pitt’s Cross. Fans of Pepper and John from Crystal Rain will be increasingly disappointed not to see them at the outset, so I think it is best to go into this novel with the foreknowledge that characters from Crystal Rain do not make an appearance until about halfway through. Still, Nashara does quickly grow on you and you will get to see Pepper open a big ol’ can o’ whoop ass eventually, so hang in there. And if it’s Pepper-style whoop ass you’re after, Nashara will not disappoint.

So, anyway, Nashara escapes Pitt’s Cross and rides on an orbital skyhook and transport pod up to a space station to meet up with a group, the revolutionary League of Human Affairs, for whom she had just completed a dangerous job. The League wants to overthrow the Satrapy and achieve real freedom for humanity. But Nashara’s loyalties lie elsewhere and she has a greater mission to accomplish. Things don’t go as planned, but Nashara manages to hitch a ride on a spaceship and proceeds to be hunted in a race across the galaxy by agents of the Satrapy.

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• Brian Defferding (?) over at Practical Praxeology tells us “Why The Hitchhiker’s Guide to the Galaxy is Better Atheist Libertarian Literature than Any Ayn Rand Book.” Do you agree?
• Digital publishing, tablets, ereaders, and the changing genre publishing landscape:
  • Wired – Epicenter: “Digital Book Publishing Models to the Rescue.” A few of the interesting business models that are emerging, including J.K. Rowling’s for the ebooks of the Potter series.
  • Wired – Epicenter: “Are Tablets Killing E-Readers? Um, No….”
  • Adventures in Scifi Publishing podcast #124: Fascinating interview with multi-genre author Kristine Kathryn Rusch about how digital publishing is changing the genre publishing landscape and stirring up controversy: outdated accounting practices, publisher undercounting of ebook sales, shady new agent practices (including one mentioned in the first Wired article above) and whether you even need or should get an agent now, publishing and agent contracts, foreign rights, ebook rights, IP lawyers, and so on. If this podcast episode piques your interest, be sure to check out Kris’s Business Rusch series of blogposts for more on these topics.

I’m pleased to announce that you can now subscribe to Prometheus Unbound on your Kindle ereader.

Simply follow the link to the product page or click on the ad-button below, in the sidebar, or at the bottom of each post.

Amazon sets the price, which is currently at $0.99/month, with a 14-day free trial.

We get a cut of 30%, which will go toward operating costs: domain registration, hosting, mailing review materials to reviewers, and the like. If we build a big enough revenue stream, I’d like to also begin paying contributors by the word, so that we can bring you more and better content, but that’s probably a ways off.

If you have a Kindle ereader — not an app, sorry, but the physical device (the service is limited to them for the time being) — consider the advantage of subscribing to Prometheus Unbound. Posts will be delivered to your Kindle wirelessly (when you’re connected) when they’re published on the site. You’ll be able to read our news and lengthy reviews at your leisure on a lightweight, very portable device, in sunlight, away from a decent wireless or 3G/4G connection. Good for commutes, plane flights, camping trips, and similar situations in which you’re not consistently connected to the world via the internet and can’t reach our site — particularly if you don’t own a 3G/4G-connected tablet pc and don’t like reading on a computer screen or lugging around your heavy laptop.

I’ve read a number of Paolo Bacigalupi’s short fiction stories and, though I am skeptical of his environmentalism and don’t agree with (what I can glean of) his politics, they have all been uniformly well-written and compelling — interesting worldbuilding coupled with fine prose and characterization. They all seem to be set in a post–global warming/post–energy crisis future Earth, maybe a century or so hence. “The Calorie Man” is no exception. There’s even a libertarian angle that I’ll get to in a moment.

Paolo Bacigalupi is being nominated for, and winning, awards left and right. “The Calorie Man,” actually a novelette, was nominated for the Hugo Award and won the Theodore Sturgeon Award in 2006. First published in the October/November 2005 double issue of The Magazine of Fantasy & Science Fiction, this story can also be found in The Year’s Best Science Fiction: Twenty-Third Annual Collection, edited by Gardner Dozois — where I first encountered it — and in Bacigalupi’s short fiction collection, Pump Six and Other Stories, itself a winner of the Locus Award for Best Collection in 2009 and containing a number of award nominee and winning stories.

Our petroleum-based and prosperous time, referred to in “The Calorie Man” as the Expansion, gave way to an energy Contraction and one gets the impression that humanity has struggled slowly to adapt. This future earth is more advanced in some ways (e.g., genetic engineering) and less advanced in others, mainly owing to the lack of cheap and powerful fuel (e.g., people are reduced to methane lamps for lighting and powering computers with human labor via treadles). There are trappings of steampunk — dirigibles are mentioned, and high-precision kink-springs are the primary means of storing kinetic energy and powering engines — but the tone is decidedly not that of steampunk. I thought to call Bacigalupi’s style of science fiction biopunk but alas someone else has already coined that term for it; enviropunk would also be a good label.

The plot of the story centers around greedy megacorporations and the genetically engineered and patented crops that are used to feed and fuel human beings, their genetically engineered beasts of burden, and their machines. We’re not talking your run-of-the-mill biofuel, such as ethanol, here. No, Bacigalupi’s twist is to have the crops used to feed mulies and megadonts (genetically engineered descendants of mules and elephants, respectively, I think) that transform those calories into stored kinetic energy by walking treadmills that wind the aforementioned high-precision kink-springs. All “natural,” unpatented crops have been conveniently wiped out by agricultural disasters and diseases to which the genetically engineered crops turned out to be resistant or immune, leaving a few agricultural corporations in tightfisted, monopolistic control of the world’s primary sources of food and energy.

As “The Calorie Man” opens, we’re introduced to the main character — an Indian transplant to the American South. Lalji plies the Mississippi River in a kink-spring-powered boat looking for antiques from the Expansion to salvage and sell. But an old friend has an unusual and dangerous job for him now. He is to travel far up north to find and smuggle back to New Orleans a man the big agricultural corporations want captured or killed, a man who supposedly can upend the economic status quo.

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The Seasteading Institute, dedicating to “homesteading” and living on the seas, is having a short story contest. Winners will have their stories featured on the institute’s website.

From their press release:

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I’m pleased to announce the launch of phpbb-powered Simple:Press-powered community discussion forums for Prometheus Unbound.

You can reach the forums by following the link or clicking on the new tab in the site’s navmenu. The url is prometheus-unbound.org/forums.

We hope to build a community of libertarian and libertarian-leaning readers, viewers, and writers here on Prometheus Unbound.

To that end, we’ve set up not only some forums in which you can discuss Prometheus Unbound posts, give us feedback, and ask questions, but also forums on various fiction genres and awards (science fiction, fantasy, the Prometheus Awards, and more) in various mediums (print, tv, film, the web).

If you’re a writer, we have forums for discussing the craft and business of writing, for workshopping your current short story or novel project, and for spotlighting yourself and showcasing your work. We hope to encourage and facilitate more liberty-loving individuals to produce higher and higher quality fiction.

We even have some forums on non-fiction subjects that impact and influence our fiction: philosophy, science & technology, history, politics, economics.

Best of all: you’ll be able to use the same user account for both the main site and the forums.

So come — join the conversation, help build our community, and promote good libertarian fiction!