Matthew Bruce Alexander

SHORT STORY REVIEW | “Melancholy Elephants” by Spider Robinson Thumbnail

Melancholy Elephants, a Hugo Award winner from 1983,  is the kind of story you get when a talented craftsmen, after some genuine contemplation on a topic, has come up with a unique perspective on an issue, discovered something worth thinking about.  For the libertarian, it has the added attraction of advocating freedom of artistic expression, as well as a frank depiction of government corruption.  Though Spider Robinson’s short work fizzles at the end, it’s engaging and thought-provoking and ultimately worth your time.

Despite the mildly disappointing ending, I cannot find fault with the beginning.  Even the title is exactly what a title should be: odd enough to be intriguing while encapsulating what the story is about, but this becomes obvious only afterwards.  It gives away nothing of the tale at the outset.

The short story format affords an author little time to grab his reader’s attention; Spider Robinson does it in the first paragraph.  The main character, Dorothy Martin, has such a bizarre reaction to a situation she is subjected to that any impulse to put the story down evaporates, rather like what a startle does to the impulse to yawn.

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MOVIE REVIEW | Skyline Thumbnail

[Warning: Some mild spoilers.]

If the making of a movie is a series of steps in a long path to the finished product, then the makers of Skyline trod boldly on the first flagstone, took a misstep on the next, stubbed their toes on the third and generally staggered off balance the rest of the way.  The concept is as full of potential as one could want it to be: aliens invade, slaughter and eat the human race while a group of beautiful young people bunker down in an apartment building, fighting for their lives and arguing about what to do next.  Great movies have been based on ideas no more complex than this, but the makers of those movies glided more gracefully along the rest of the production path.

Skyline, though not awful, is not a great movie, nor even a good one.  It displays a respectable technical proficiency which any producer can purchase if his coffers are full.  This and the aforementioned concept are its strongest points.  It lacks artistry in all aspects where technical expertise cannot suffice, and suffers from that mild incoherence which results from underdeveloped and abandoned plot points.

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