involuntary commitment

BOOK REVIEW | The Empress of Mars by Kage Baker Thumbnail

The Empress of Mars
By Kage Baker
Trade paperback, 304 pages
Tor (2009), $10.87

The Empress of Mars was written by the late Kage Baker (June 10, 1952 — January 31, 2010; 1st name pronounced like ‘cage’). It started out as a novella (Asimov’s Science Fiction Magazine July 2003), which won the 2004 Theodore Sturgeon Award and was nominated for a Hugo Award and a Nebula Award, but was later expanded into the full-length novel published in 2009 that I review here.

The Empress of Mars is not Martian royalty. This is not Barsoom, the Mars of Edgar Rice Burroughs. You won’t find a John Carter-type hero fighting native Martians and rescuing princesses within these pages, though Baker does pay homage to Burroughs’ Mars tales. Tars Tarkas makes an appearance as the Martian Santa Claus, for example.

No, The Empress of Mars is a restaurant and bar owned by one Mary Griffith, an early settler of Mars and former biological scientist. A tough, motherly figure, Mary Griffith embodies the rugged individualism and pioneer spirit that pervades Baker’s The Empress of Mars. Baker’s tale is more scientifically literate than Burroughs’, and qualifies (mostly at least, see below) as hard science fiction, leavened with superior writing and humor. It is set some unspecified time after the year 2186 — marking a past event, the year the Kutuzov expedition discovered Olympus Mons is not an extinct shield volcano, it was the only date I recall seeing in the novel.

The story revolves around Mary, her three daughters, and a host of other quirky characters, some of whom she takes under her wing, others she befriends or does business with, as they deal with at first neglect by and then interference from the bureaucrats of the British Arean Company (BAC).

[continue reading…]

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MOVIE PREVIEW | Sucker Punch Thumbnail

Zack Snyder, director of 300 and Watchmen, has a new film project coming out in 2011 that may be of interest to genre-loving libertarians: the upcoming movie Sucker Punch. It may not have an overtly libertarian theme or plot, but it does appear to center around an issue that is relevant to libertarians, particularly women and libertarians interested in the time period in the US in which this film is set, the 1950s.

The premise and setting of Sucker Punch remind me of Angelina Jolie’s film Changeling, directed by Clint Eastwood, written by J. Michael Straczynski of Babylon 5 fame, and set in 1928. Both films depict periods in the United States in which it was all too easy to commit someone, particularly a woman, to a mental institution against her will. In Changeling, Jolie’s character is involuntarily committed to the local hospital’s psychopathic ward by a corrupt cop for political/job preservation reasons. In Sucker Punch, the main character, Baby-Doll (what’s with the name?), is involuntarily committed to a mental institution and scheduled for a barbaric lobotomy. I suppose we’ll have to wait to find out why and by whom she was committed.

So, in Sucker Punch, as in Changeling, it appears we will be presented with a story illustrating (wrongful) involuntary commitment, the unequal status of women in recent US history, a struggle for freedom and to maintain one’s sanity in an oppressive medical institution where the authorities insist you are insane. Unlike Changeling, which was a historical film, Sucker Punch will be an action fantasy.

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