libertarianism

Ecotopia by Ernest Callenbach

Few philosophies have a greater mutual suspicion and natural antipathy to each other than libertarianism and ecology. This is not surprising, since the former takes the human individual and the latter the nonhuman environment, as its sovereign concern. But since our state-plagued era has seen the degradation of both individual liberties and the quality of the environment, we ought to question the degree to which these exist in an inverse relationship. Libertarians who wish to learn how to accommodate ecological ideas could do no better than to begin with a short 1975 novel by Ernest Callenbach, not because the novel has any libertarian intent (it clearly doesn’t), but because the principle of political decentralization, which Callenbach sees as an ecological necessity, leads him unconsciously, almost blindly, in a libertarian direction.

Ecotopia was clearly born out of the political and economic turmoil of the 1970s. As the book describes it, “The persistent inflation and recession of the seventies had caused widespread misery and undermined Americans’ confidence in economic progress.… And chronic Washington scandals had greatly reduced faith in central government.” Of course there was also a war that dragged on and on despite widespread opposition. In other words, it was a time much like our own, which may be why there has been a renewal of interest in the book in the last few years. A New York Times article from 2008 called it “The Novel that Predicted Portland” for its advocacy of green lifestyles. Well, not quite, as we shall see.

While contemporary greens tend to advocate greater power for national and international governmental agencies to regulate on behalf of the environment, Callenbach’s book was informed by decentralist and anti-authoritarian ideas of the New Left. These led him to a solution that had long since been thought impossible in American politics: secession. Ecotopia is also the name of a new nation in the novel, consisting of what used to be Oregon, Washington, and northern California, which seceded from the United States in 1980.1 In 1999, Will Weston, a journalist from what remains of the United States, sets out to write a series of articles about Ecotopian life. These, alternating with Weston’s private diary entries, comprise the novel.

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  1. Interestingly, Quebec seceded from Canada in the early 1980s, and Weston hints that parts of the Soviet Union will soon break away. At the time, the first prediction must have seemed like a much safer bet than the second, though subsequent history proved the opposite to be the case. 

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NEWS | 2011 Prometheus Award Winners Announced Thumbnail

Darkship Thieves by Sarah HoytThe Libertarian Futurist Society has announced this year’s winners of their Best Novel and Hall of Fame awards.

Alas, I didn’t get around to reading and reviewing Cory Doctorow’s For the Win in time for the voting, but I still plan on doing so. Matthew Alexander reviewed another of the finalists, L. Neil Smith’s Ceres.

Here’s the official press release:

The Libertarian Futurist Society will hold its annual awards ceremony for the Prometheus Award during Renovation, the 69th World Science Fiction Convention, to be held Aug. 17-21 in Reno, Nevada. The specific time and location will be available in the convention program.

The winner of the Best Novel award is Darkship Thieves, by Sarah Hoyt (Baen Books). The Hall of Fame award was won by Animal Farm, a short novel written by George Orwell in 1945. Sarah Hoyt will receive a plaque and a one-ounce gold coin, while a smaller gold coin and a plaque will be presented to Orwell’s estate.

Darkship Thieves features an exciting, coming-of-age saga in which a heroic woman fights for her freedom and identity against a tyrannical Earth. Hoyt’s novel, dedicated to Robert A. Heinlein, depicts a plausible anarchist society among the asteroids. Hoyt is a prolific writer of novels and short fiction, though this is her first time as Prometheus finalist.

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Crystal Rain by Tobias Buckell

Ragamuffin by Tobias BuckellAs I mentioned in my review of Crystal Rain, I enjoyed reading Tobias Buckell’s debut novel, but I enjoyed reading the sequel, Ragamuffin (Tor, 2008), even more. This may be because Buckell has grown as a writer or it may be because Ragamuffin is more a traditional galaxy-spanning space opera, one of my favorite subgenres. But another reason is that there are more prominent libertarian themes in Ragamuffin than there were in Crystal Rain, enough that it was a finalist for the 2008 Prometheus Award.

Where Crystal Rain was set on a lost colony planet mostly devoid of advanced technology, Ragamuffin opens on an advanced planet ruled by an alien race called the Gahe, who are themselves a client race under the rule of the secretive Satraps. Human beings are officially “free” in the “benevolent” Satrapy, but in fact are forced to live on the margins of society — on space stations in the middle of nowhere, on interdicted planets cut off from the rest of the galaxy by collapsed wormholes (including Earth itself), or on reservations. On the Gahe planet, Astragalai, humans who don’t want to serve in the role of intelligent pet for a Gahe master must live on a reservation, which they can only leave when granted a temperary “human safety” pass. Woe to the human who does not return to his reservation before his temporary pass expires: the penalty is death or enslavement.

We are first introduced to the protagonist of the novel, Nashara, on one such reservation called Pitt’s Cross. Fans of Pepper and John from Crystal Rain will be increasingly disappointed not to see them at the outset, so I think it is best to go into this novel with the foreknowledge that characters from Crystal Rain do not make an appearance until about halfway through. Still, Nashara does quickly grow on you and you will get to see Pepper open a big ol’ can o’ whoop ass eventually, so hang in there. And if it’s Pepper-style whoop ass you’re after, Nashara will not disappoint.

So, anyway, Nashara escapes Pitt’s Cross and rides on an orbital skyhook and transport pod up to a space station to meet up with a group, the revolutionary League of Human Affairs, for whom she had just completed a dangerous job. The League wants to overthrow the Satrapy and achieve real freedom for humanity. But Nashara’s loyalties lie elsewhere and she has a greater mission to accomplish. Things don’t go as planned, but Nashara manages to hitch a ride on a spaceship and proceeds to be hunted in a race across the galaxy by agents of the Satrapy.

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Get The Syndic by C.M. Kornbluth for free!

Get it for free in epub and mobi formats!

In a recent addition to The Libertarian Tradition podcast series, part of the Mises Institute’s online media library, Jeff Riggenbach discusses the brief life of C.M. Kornbluth (1923–1958) and his novel The Syndic.

You can also read the transcript below:

The late Samuel Edward Konkin III was a firm believer in the power of science fiction to spread the libertarian message. He himself had been converted to libertarianism partly by reading the works of Robert A. Heinlein, and Heinlein remained his favorite science fiction writer for the rest of his life. Every July for years, he threw a joint birthday party for himself and Robert A. Heinlein (Sam’s birthday was July 8; Heinlein’s was July 7). The last and largest issue of his magazine,New Libertarian, was devoted to Heinlein, as was a sort of mini-conference he held, also in the late 1980s, under the auspices of his Agorist Institute. This mini-conference featured presentations by Sam, J. Neil Schulman, and yours truly, along with much spirited discussion.

But if the works of Robert A. Heinlein topped Sam’s list of great libertarian science fiction, they were far from the only titles on that list. He was also a great admirer of Eric Frank Russell’s Great Explosion, for example. He expressed enthusiasm for A.E. van Vogt’s fiction, especially The Weapon Shops of Isher. And, he told me more than once in conversation, he held C.M. Kornbluth’s 1953 novel, The Syndic, in high esteem and considered it lamentably little known and much underappreciated among libertarian science fiction novels. I suspect part of the reason Sam never wrote about The Syndic was that he felt any public display of approval on his part for a writer like C.M. Kornbluth would require at least a bit of explanation. You see, Kornbluth was a Futurian, and libertarian science-fiction fans back in Sam’s heyday — the 1970s and ’80s — were almost always critical of the Futurians, if not openly hostile to them.

Libertarian science fiction fans of today care a good deal less for such ancient controversies, I suspect. Libertarian science-fiction fans under 40 are probably at least a little unclear on just who or what the Futurians were. Those old timers like me who know who they were have now lived long enough that we wonder whether it really matters who they were — whether it mattered even at the time.

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The Seasteading Institute, dedicating to “homesteading” and living on the seas, is having a short story contest. Winners will have their stories featured on the institute’s website.

From their press release:

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I’m pleased to announce the launch of phpbb-powered Simple:Press-powered community discussion forums for Prometheus Unbound.

You can reach the forums by following the link or clicking on the new tab in the site’s navmenu. The url is prometheus-unbound.org/forums.

We hope to build a community of libertarian and libertarian-leaning readers, viewers, and writers here on Prometheus Unbound.

To that end, we’ve set up not only some forums in which you can discuss Prometheus Unbound posts, give us feedback, and ask questions, but also forums on various fiction genres and awards (science fiction, fantasy, the Prometheus Awards, and more) in various mediums (print, tv, film, the web).

If you’re a writer, we have forums for discussing the craft and business of writing, for workshopping your current short story or novel project, and for spotlighting yourself and showcasing your work. We hope to encourage and facilitate more liberty-loving individuals to produce higher and higher quality fiction.

We even have some forums on non-fiction subjects that impact and influence our fiction: philosophy, science & technology, history, politics, economics.

Best of all: you’ll be able to use the same user account for both the main site and the forums.

So come — join the conversation, help build our community, and promote good libertarian fiction!

 

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With the recent release of the first part of the film adaptation of Atlas Shrugged (see Matthew’s review), the Institute for Humane Studies (IHS) — via LearnLiberty.org — brings us this interview with Professor Jennifer Burns, author of Goddess of the Market: Ayn Rand and the American Right, on how Ayn Rand fits into the classical liberal tradition.

In this video, Prof. Burns explains three classical liberal themes in Ayn Rand’s masterpiece Atlas Shrugged: individualism, suspicion of centralized power, and free markets. These themes come to life through the novel’s plot and characters and give the reader an opportunity to imagine a world where entrepreneurship has been stifled by regulations and where liberty has been traded for security. Burns ends by reviving Rand’s critical question: do you want to live in this kind of world?

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