podcasts

In episode two of the Prometheus Unbound Podcast, Matthew and I (Geoffrey) discuss libertarian speculative fiction and introduce the Book of the Month, Today’s Tomorrows Writing Prompt, and Fiction Forecasts segments of the show.

We break the ice with some brief chit-chat about what we’ve been reading before seguing into our discussion of libertarian spec fic. The Book of the Month is Coyote by Allen Steele. In Today’s Tomorrows Writing Prompt, we turn a speculative eye on the very real possibility of an intellectual-property dystopia. And in Fiction Forecasts, we talk about upcoming (at the time of recording) television shows, movies, and books.

What We’ve Been Reading

• The Man Who Sold the Moon by Robert Heinlein (Amazon)
• The Human Division by John Scalzi (Audible / Amazon)
• Marsbound by Joe Haldeman — See Matthew’s review

Libertarian Speculative Fiction

We covered a lot of ground in our discussion of libertarian spec fic, but we really only scratched the surface of this broad, deep, and no doubt controversial topic. I’m sure we’ll be revisiting many of the stories and issues we covered, and many more besides, in future episodes. So subscribe and stay tuned!

Here’s a brief rundown of some of the things we covered: what qualifies a work of fiction as libertarian; libertarian themes in science fiction and fantasy; why they seem to be more common in science fiction and why libertarians seem to favor this genre; our favorite works of libertarian spec fic; the Prometheus Awards; and probably more that I’m forgetting as I write this.

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At long last, here is the first episode of our new, original podcast.

First, Matthew and I break the ice by briefly talking about what we’ve been reading recently. I had just finished Kameron Hurley’s debut novel God’s War. Overall, I think it’s a good effort with an interesting story and world-building but is not without its flaws. Matthew had recently finished Live Free or Die by John Ringo. It was a 2011 Prometheus Award finalist, not a winner as I mistakenly thought while recording the podcast and, according to Matthew, didn’t deserve to be.

Our interview with Stephan takes up most of the episode. It’s around 53 minutes long and starts 9:40 minutes in. For those who don’t already know him, Stephan Kinsella is a patent attorney and prominent libertarian legal scholar. He is best known for his opposition to intellectual property.

We invited Stephan on the show to discuss the problems of intellectual property and piracy in the Digital Age. But first we had to ask him about his love of science fiction and fantasy. We got him to mention some of his favorite authors and books (see below for a list), and we even talked about the Hobbit movie for a bit.

Then, at about 23:15 in, we dove into the meat of the interview. Stephan explained the historical origin of copyright (censorship) and patents (government grants of monopoly privilege, which is what copyright is now too really), how intellectual property has shaped and distorted the film and publishing industries, including Hollywood’s move to California to avoid patent disputes, and why reform is not enough. We also discussed how the Digital Age — the age of the internet, smartphone, ereader, and globalization — is making the evils of copyright and patents more obvious and acute while at the same time undermining traditional business models built around intellectual property. And finally, we explore ways artistic creators might earn a living in a world without intellectual property laws.

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Matthew and I recorded a brief promotional spot for the Prometheus Unbound Podcast. It includes part of the intro and outro that you will soon become familiar with as well as information about what listeners can expect from the podcast.

Join us as we

• interview your favorite authors, editors, and libertarian scholars;
• and discuss science fiction and fantasy in books, movies, and television.

You’ll enjoy segments like

• Book of the Month, in which we recommend a great book that ties in with that episode’s theme;
• Today’s Tomorrows Writing Prompt, where we take a current trend in society, explain its causes, and extrapolate how it will play out 10, 50, 100 years into the future;
• and Fiction Forecasts, in which we talk about upcoming books, movies, and tv shows, and predict our reactions.

As well as

• audio reviews;
• tips on writing, marketing. publishing, tools of the trade;
• and listener feedback that we read or play and respond to on the show.

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In this January 12, 2010 episode of the Libertarian Tradition podcast series, part of the Mises Institute’s online media library, Jeff Riggenbach discusses the important role played by novelist and philosopher Ayn Rand in the early libertarian movement.

Editor’s Note: A transcript is unavailable. This early episode was never turned into a Mises Daily article most of the others.

Here is a brief summary, however:

In light of then recently released books on Ayn Rand — Jennifer Burns’s Goddess of the Market: Ayn Rand and the American Right and Anne C. Heller’s Ayn Rand and the World She Made — Riggenbach discusses Rand’s role in the early libertarian movement. Along the way he highlights Heller’s defense of the quality of Rand’s writing against mainstream literary critics. He goes on to argue that Heller’s book is the better of the two and explains what mars Burns’s book. He plays a couple of clips of Rand herself explaining why she and her philosophy of Objectivism are not conservative, and challenges the coherence of Burns’s conception of the American Right.

If you’re unfamiliar with Ayn Rand and her importance in the libertarian tradition, this episode offers a good primer on the subject as well as on what differentiates libertarianism and conservatism.

In this January 6, 2010 episode of the Libertarian Tradition podcast series, part of the Mises Institute’s online media library, Jeff Riggenbach takes us on a biographical tour of the life of libertarian novelist and philosopher Ayn Rand.

Editor’s Note: A transcript is unavailable. This early episode was never turned into a Mises Daily article like most of the others.

Here is a brief summary, however:

In light of then recently released books on Ayn Rand — Jennifer Burns’s Goddess of the Market: Ayn Rand and the American Right and Anne C. Heller’s Ayn Rand and the World She Made — Riggenbach goes on to chronicle Rand’s early life in Soviet Russia, how she got out and immigrated to the United States, her work in Hollywood and her Broadway play, Night of January 16th, and her marriage to Frank O’Connor.

Riggenbach then covers the publication of her four major works of fiction: We the Living, Anthem (a novella), The Fountainhead (adapted to film with a screenplay by Rand), and her magnum opus, Atlas Shrugged. He also discusses Rand’s relationship with Nathaniel Branden, the formation of her inner circle, the publication of Rand’s nonfiction works, and the growth of the Objectivist community.

All that in 20 minutes! Phew!

If you’re unfamiliar with Ayn Rand and her work and life, this episode offers a good overview.

In this episode of the Libertarian Tradition podcast series, part of the Mises Institute’s online media library, Jeff Riggenbach makes the case that Yevgeny Zamyatin’s dystopian science fiction novel, We, belongs in the libertarian tradition.

You can also read the transcript below:

When we think of the libertarian tradition, we tend naturally to think of political philosophers and economists of the past. But surely one part of the libertarian tradition belongs to novelists and other fiction writers.

In earlier podcasts in this series, I’ve already discussed two such figures: Ayn Rand, whose 1957 novel, Atlas Shrugged, is, arguably, one of the half-dozen most important libertarian works of the 20th century, and John Ronald Reuel Tolkien, the professor of philology at Oxford whose giant fantasy novel, The Lord of the Rings, published just a few years before Atlas Shrugged, is arguably the most culturally influential single novel published in English in the 20th century.

This week, I’d like to talk about a writer whose level of influence has been much more modest, but whose indirect influence has nevertheless been considerable. Regular listeners to this series know what I mean by indirect influence. I gave an example of it just last week, when I discussed the life and career of Isabel Paterson. Paterson’s libertarian classic, The God of the Machine, has never reached a wide readership, but, thanks to the effort of her protégé, Ayn Rand, Paterson herself has influenced millions of readers who have never even seen a copy of The God of the Machine.

The writer I’m talking about today wrote a novel in which a citizen of a totalitarian state of the future meets a woman and becomes obsessed with her. He begins a forbidden sexual affair with this woman, meeting with her illicitly in a very old part of the city where the intrusive gaze of the all-encompassing government doesn’t seem to penetrate. Through his relationship with her, he becomes involved in the organized underground opposition to the all-encompassing government — an opposition he had never previously realized existed at all. Ultimately, he and the woman are caught, imprisoned, and tortured. In the end, he is sincerely repentant of his crimes and is completely devoted to the all-encompassing government that has done him all this harm.

A familiar story, no? Can you tell me what novel I’ve just described? Ah, I see a hand in the back of the room. Yes? “George Orwell’s 1984,” you cry out confidently. And your answer is correct, but only as far as it goes, which is, perhaps, not quite as far as you thought it would.

That is a description of the plot of 1984, which was published, as we all know, in 1949. But Orwell adapted the plot of 1984 from another novel, one originally published 25 years earlier in 1924. That earlier novel was entitled, simply, We. It was the work of a not-very-well-known Russian writer, Yevgeny Zamyatin. Zamyatin was not very well known outside Russia when We was first published, and he was still not very well known in the West 25 years later, when Orwell published 1984. He remains not very well known in the West to this day.

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