science fiction

The Ayn Rand’s Atlas Shrugged book app for iPad has been awarded the App Fiction prize in the 2012 Publishing Innovation Awards. The award was handed out at the recent Digital Book World Conference.

In addition to the novel itself, the app “includes some of Rand’s lectures, additional articles for further reading on Rand and her philosophies, a timeline of events in Rand’s life as well as the works she published, and other materials.” If you own an iOS device, you might want to check it out, but it will cost you $14.99.

In related news, filming for Atlas Shrugged: Part Two is scheduled to begin in April. The first film was not great (see Matthew Alexander’s review) and didn’t do so well financially. It doesn’t bode well that the second film will have a smaller budget and a new director and may have some central characters recasted.

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But back to Apple-related news, one P.J. Rey over at The Society Pages: Cyborgology has an interesting article about “How Cyberpunk Warned against Apple’s Consumer Revolution.” There are at times anti-corporate progressive and Marxist overtones in the article — Rey even references Marx’s notion of “false consciousness” — but nevertheless Rey’s criticism of Apple in light of cyberpunk’s tendency toward individualist anarchism should be of interest to radical libertarians of all stripes.

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A physicist by training and an economist by vocation, David Friedman, son of famed economist Milton Friedman, is best known in libertarian circles as the author of The Machinery of Freedom, a utilitarian case for anarcho-capitalism.

But David Friedman has also written two fantasy novels: Harald and Salamander. Recently, in two blogposts, he discussed the economics and physics in his fiction. Update: There is a third post on related matters (military logistics) in Harald; be sure to peruse the comments on this one.

In the first post, Friedman references a blogpost by an economist working at the New Zealand Institute of Economic Research about his realization that “Sci-fi needs economists.”¹ He can take heart, perhaps, that science fiction authors are becoming more economically literate (or so Gregory Benford believes).

Reading Friedman’s posts reminded me of some things I read and listened to from L.E. Modesitt, Jr., a while back. A professional economist before becoming a full-time science fiction and fantasy author, Modesitt has also discussed how he incorporates the economic point of view into his work (see The Magic of Recluse, for starters) as well as the importance of understanding economics in order to write practical fantasy:
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1. Bonus: Reading through the comments, I happened this tidbit: A Travis J. I. Corcoran is working on a science fiction novel titled The Powers of the Earth, “a novel about anarchocapitalism, economics, corporate finance, antigravity, lunar colonization, genetically modified dogs and AI.” According to his website, it’s due out July 2012, so it might be something to keep an eye out for. ↩

That’s what i09 asked their readers yesterday. More specifically, they wanted to know what is “the best science fiction to read or watch if you’re actually serving in the military. … What kind of SF gets you through the day (and night)?”

You can guess what sort of suggestions io9’s typical readers will come up with. Or you could brave the comments to find out.

But I’m sure we libertarians would have some quite different suggestions.

We wouldn’t be asking what kind of science fiction gets soldiers engaged in unnecessary, counterproductive, imperialist wars through the day (and night). We wouldn’t be asking what sort of fiction soothes their consciences (if they feel any guilt at all) or reinforces their misguided patriotism. Or what merely helps them pass the time while keeping their minds off of the rigors of war or how much they miss their loved ones.

No, we would ask what kind of science fiction would prick their consciences and awaken them to what their “service” really means:
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There’s an article by science fiction author Gregory Benford in the February issue of Reason Magazine (also available online at Reason.com). I hadn’t realized it, but Benford has written three other articles for Reason (see below for a list of the others).

In the article, Benford briefly discusses the role of Nazi SS officer and rocket scientist Wernher von Braun ¹ in the American government’s space program, from his popular promotion of his vision of man conquering space (interesting choice of war metaphor) to his running the Apollo program.

Benford discusses Von Braun’s vision for how man will conquer space, a vision that strikes me as impractical and expensive and that still lingers in NASA today. He also highlights the decline of NASA and its “ruinously expensive” nature of the American government’s space shuttle program, which suffered catastrophic failures and kept going long past its planned obsolescence.

Though Benford says that Von Braun’s vision lives on, I’m not so sure of that. If he means Von Braun’s  general vision of man “conquering” space, then yes, that vision is not dead. If he means Von Braun’s more specific vision of how this is to be accomplished, then no, I do not think that vision will live on.

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1. Benford doesn’t call Von Braun a facilitator of mass murder, but does mention that he ran “Adolf Hitler’s V-1 and V-2 programs, which sent more than 10,000 rockets into England in 1944 and 1945.” ↩

AM:  Right off the bat, it strikes me that I don’t know what to call you.  Will Neil work?

JNS:  Sure. It’s J. Neil Schulman in credits, and Neil in person.

AM:  Anyway, thank you for doing this interview, Neil.  You’ve had a fascinating and unique career.  You’ve written novels, short fiction, nonfiction, screenplays, and other works.  Which of your works is your favorite and why?

JNS:  Every artist gets asked this question sooner or later. I asked it of Robert A. Heinlein when I interviewed him in 1973, and his answer was, “The latest one I’ve been working on.”

I’ve only completed one movie so far — Lady Magdalene’s — so it’s a Hobson’s Choice on that one. Ask me again when I’ve made two! But a lot of people also seem to like the script I wrote for The Twilight Zone, “Profile in Silver.”

I’ve written three novels. My first, Alongside Night [editor’s note: free in pdf], seems to be my most accessible and popular. I consider my second novel, The Rainbow Cadenza, to be my most layered, literary, and richest in explicit philosophy. My third novel, Escape from Heaven, is my favorite. It may not be as timely as my first novel or literary as my second novel, but it’s the one that’s closest to my heart…both the funniest thing I’ve ever written, and the one which is most deceptively simple. It appears to be a lightweight piece of comic fantasy, but it’s full of ideas that if examined more closely turn both traditional theology and rationalist philosophy on their heads.

Short stories? I’ll pick a few: “The Musician,” “Day of Atonement,” and “When Freemen Shall Stand” — all in my collection Nasty. Brutish, and Short Stories — and my latest short story, “The Laughskeller,” published on my blog, J. Neil Schulman @ Rational Review.

AM:  Your worldview is, in a word, libertarian.  Why is that?  How does libertarianism come across in your writing?

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The Stygian Conspiracy, by first-time author Kodai Okuda, is a bulky tome and quite an undertaking. The myriad pages are brimming over with a story of action, science fiction, and even some horror elements. It is a tale on a grand scale, both in time and space. Not content with a small moment or two with a libertarian flavor, the story tackles the big issues and concepts and makes no apologies, without forgetting that the plot and characters come first.

The story transpires in a future in which the human race has spread out through the solar system and taken some tentative first steps towards exploring other star systems. The population is roughly divided between the Eastern socialists and the Western capitalists, the latter of the two having newly emerged as a power again on the world, or better yet solar, stage. That description and its implicit chauvinism make me cringe even as I write it, but Okuda does much better with the characters, creating roles that defy the simplistic expectations set up by that line drawn down the middle. There are good bad guys and bad good guys and even, I think, a little room for debate.

It is a bold concept and a wild ride. There are space battles and daring personal missions, enmities and romances, betrayals and tough decisions. It lacks nothing of the right ingredients to leave a voracious reader with a satisfied feeling upon completion. If the reader wants nothing more than an epic tale of adventure with some characters to care about, he may well come away from The Stygian Conspiracy without complaint.

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