For the month of August we are reading and discussing Wĭthûr Wē, a science fiction novel influenced by anarcho-capitalism and Austrian School economics, written by our own Matthew Alexander.
Centuries hence, Man, seemingly alone in the universe, slowly spreads his civilizations across his corner of the galaxy. Tyrants vie for power, and in their fierce grip the colonies of the Milky Way are suffocating. In this society of many billions, a young marine, a highly trained war hero, returns home from his tour of duty. Physically powerful yet shy, awkward and unable to sway the masses with pretty speeches, Alistair Ashley 3nn makes a decision to strike at the hierarchy the only way he can. His decision starts him on a grand adventure, and as he is carried along by forces beyond his control, he comes to confront an ancient secret, one which may reveal humanity’s future.
You can get a free PDF copy at the author’s website. The book can be purchased for Kindle or in trade paperback at Amazon.com. Your purchase via our affiliate links will help support both Matthew’s writing and our work here at Prometheus Unbound.
You need not have voted on this month’s selection to join in the discussion, but you do need to be registered and logged in on this site to access the book club’s dedicated forums.
Book Giveaway / Newsletter Signup Results
Last month we gave away free Kindle (mobi) copies of Wĭthûr Wē in exchange for signing up for our email newsletter. We think the campaign was a big success. We attracted more than 80 new subscribers, more than quintupling our mailing list, and gave away at least that many copies of Matthew’s novel.
This review is part of a series covering each installment of the serialized novel Higher Cause, written by John Hunt and published by Laissez Faire Books. To catch up, start with the announcement, the book’s link-rich table of contents, and the first review.
The next installment of John Hunt’s serialized novel, Higher Cause, is out and ready for reading. Last time we met a couple characters and got a glimpse of a plot. This time we follow one of the two characters, Petur Bjarnasson, as he continues to recruit. We also find out more details of his plan, while the shadow of the villain is cast in Amsterdam.
Mr. Hunt is assembling the pieces of a real thriller — so far. While Petur is recruiting, he runs into his first obstacle, which tells him and us that someone is on to him and does not want him to succeed. He also has an unlikely encounter with someone he had glimpsed in another city. Petur invents an excuse for it, but as readers we suspect something else is up. The locations are also interesting, and it looks like we will be hopping all over the world over the course of the story.
Chapter three is a repetition of chapter one, with a different location and a new target. This time, Petur is recruiting a man named Thomas Standall to invest in his vision. The danger here is for the story to lag as we go over ground we have already gone over. Hunt does a good job of feeding us more information about the plan this time, which does go some way to keeping our interest, but I still got a bit of a restless feeling at the inevitable repetition. If I were to give advice on the structure of the opening, I would suggest omitting the prologue and, in chapter one, showing us only the very end of the sales pitch, where Onbacher agrees to invest $400 million. With this little bit of information and next to nothing else, curiosity would be piqued. Then, in chapter three, we can see the recruitment process rather than have to see a lot of it twice in a short time.
This review is part of a series covering each installment of the serialized novel Higher Cause, written by John Hunt and published by Laissez Faire Books. To catch up, start with the announcement, the book’s link-rich table of contents, and our initial news coverage.
Laissez Faire Books is serializing a novel by John Hunt, a libertarian and student of Austrian Economics. Titled Higher Cause, it promises to be an epic adventure story. The first installment (of 22) consists of a prologue and the first two chapters. The remaining installments will be published every Wednesday, followed by my reviews every Friday.
I am generally in favor of eschewing prologues, and though the present one was not uninteresting, at this point I feel it was unnecessary. It seemed to set up a mystery, but then the mystery was solved at the end of the first chapter. Also, all the major points of the prologue were covered in chapter one, in brief. I would say it was better to just get to the first chapter.
However, the author does a good job of enticing us with vague but interesting possibilities. In chapter one we meet Petur, who comes to a rich investor with a proposal in a manner reminiscent of Atlas Shrugged. The details are withheld from the reader, but some great error that threatens humanity has been discovered, and Petur is attempting to set things right, before it is too late, with a market-oriented plan of attack.
In the second chapter we meet Jeff, an undercover agent trying to throw a monkey wrench in the gears of a Mexican drug lord’s machine. He runs into a little trouble and a small twist at the end.
Hans Zimmer has composed an unrelenting score that is being blasted in movie theaters across the world right now. It is not bad music by any means, but why it is launched like an assault at the eardrums I cannot fathom. Underneath this score, if one listens carefully, one can hear a movie playing, accompanied by corresponding images on a screen. The movie is called The Dark Knight Rises, and it is considered a part of Christopher Nolan’s Batman trilogy on the grounds that Batman makes a couple brief appearances in it.
It takes place eight years after the previous installment. Batman, erroneously believed to be the murderer of Harvey Dent, has disappeared, and his alter ego, billionaire Bruce Wayne, now lives as a recluse. A new super villain, Bane (Tom Hardy), has emerged to wreak havoc in Gotham City. Catwoman (Anne Hathaway) is also on the prowl, though whether she is a villain or heroine is less certain until the end of the film.
Bruce Wayne is moved to return the Caped Crusader to the streets of Gotham City as the Bane menace grows. He is pushed to this decision by a police officer with amazing faith in his pure hunch that Bruce Wayne is somehow connected to Batman, as well as the theft of his belongings and personal information by Catwoman, who was working for him as a maid in order to position herself for the strike, and who was helped along by an assistant we never really get to know, but both of them are radical egalitarians with some connection to Bane, who it turns out was behind the guy who hired Catwoman to burgle Bruce Wayne because he wants the information to set Wayne up so that he can financially ruin Wayne so that his people can take over Wayne Enterprises in the ensuing bankruptcy so that he, because he knows who Batman is, can get access to Batman’s arsenal so he can use it to further his plans to…
You know, it’s actually a little complicated. Much like its predecessor. Indeed, the movie shares all of its predecessor’s flaws but got shortchanged on the strengths.
“We are watching capitalism destroy itself right now,” [Whedon] told the audience.
He added that America is “turning into Tsarist Russia” and that “we’re creating a country of serfs.”
Whedon was raised on the Upper Westside neighborhood of Manhattan in the 1970s, an area associated with left-leaning intellectuals. He said he was raised by people who thought socialism was a ”beautiful concept.”
Socialism remains a taboo word in American politics, as Republicans congressmen raise the specter of the Cold War. They refer to many Obama administration initatives as socialist, and the same goes for most laws that advocate increasing spending on social welfare programs. They also refer to the President as a socialist, though this and many of their other claims misuse the term.
This evidently frustrates Whedon, who traces this development to Ronald Reagan[.]
We have people trying to create structures and preserve the structures that will help the middle and working class, and people calling them socialists,” Whedon said. “It’s not Republican or Democrat, conservative or liberal […] it’s some people with some sense of dignity and people who have gone off the reservation.”
Whedon obviously can’t tell the difference between laissez-faire capitalism (i.e., free markets) and the state-regulated capitalism we have today. Or the difference between democratic corporatism and tyrannical absolute monarchy. As with most on the left, he directs his criticisms almost exclusively at the market and big corporations.
The Libertarian Futurist Society issued a press release on Friday, July 13th, announcing the winners (plural) of the 2012 Prometheus Award for Best Libertarian Novel.
The winners and finalists, with links to our reviews:
Snuff by Terry Pratchett (our current Lightmonthly Read; review coming in early August)
The 2012 Prometheus Hall of Fame Award winner is “The Machine Stops” by E.M. Forster.
Our Take
We’re not sure we would have recommended any of the finalists for the Prometheus Award this year.
We haven’t read The Freedom Maze yet, so we can’t question its selection as a co-winner. Maybe it is worthy and we’ll discover this if and when we get around to reading it. Clearly it meets the criteria of the LFS voting membership.
While we enjoyed Ready Player One we do not think it was libertarian enough to qualify for the Prometheus Award. The same goes for The Children of the Sky and The Restoration Game.
While In the Shadow of Ares was libertarian enough, and apparently written by actual libertarians (unlike many Prometheus Award winners), and we enjoyed it, we do think the writing quality was not quite there. The authors are ones to keep an eye on, however.
We’re currently reading Snuff and, as one would expect from Terry Pratchett, it is well written. Whether we think it is unambiguously libertarian enough remains to be seen. We’ll publish a review in early August.
We’d love to publish a review of Delia Sherman’s The Freedom Maze, if anyone is interested in submitting one.
In an interview on Geeks Guide to the Galaxy (Wired), econtard Paul Krugman discussed the relationship between science fiction and economics. He said that he was inspired to pursue economics by Asimov’s Foundation series. Quelle surprise! He also claimed economic laws change over time (I know, I know!), but he nevertheless embraces one unstoppable apriori economic law in the interview: greed.
Free online college course: Fantasy and Science Fiction: The Human Mind, Our Modern World: Taught by Professor Eric S. Rabkin of the University of Michigan. Hosted by Coursera. The course will run 10 weeks and will cover Grimm, Carroll, Stoker, Shelley, Hawthorne & Poe, Wells, Burroughs & Gilman, Bradbury, LeGuin, and Doctorow (Little Brother). Click on over for more details and the registration form.
ISS astronaut impressed by private firm SpaceX’s Dragon vehicle: “Inside of the Dragon module. Beautiful. Spacious, Modern. Blue LEDs. Feels a bit like a sci-fi filmset. Of course it is from Los Angeles.” And “You could say a new era of spaceflight has begun. Soon private companies will take people to and from space.”
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