thrillers

Higher Cause by John Hunt

This review is part of a series covering each installment of the serialized novel Higher Cause, written by John Hunt and published by Laissez Faire Books. To catch up, start with the announcement, the book’s link-rich table of contents, and our initial news coverage.

Higher Cause by John Hunt

Laissez Faire Books is serializing a novel by John Hunt, a libertarian and student of Austrian Economics. Titled Higher Cause, it promises to be an epic adventure story. The first installment (of 22) consists of a prologue and the first two chapters. The remaining installments will be published every Wednesday, followed by my reviews every Friday.

I am generally in favor of eschewing prologues, and though the present one was not uninteresting, at this point I feel it was unnecessary. It seemed to set up a mystery, but then the mystery was solved at the end of the first chapter. Also, all the major points of the prologue were covered in chapter one, in brief. I would say it was better to just get to the first chapter.

However, the author does a good job of enticing us with vague but interesting possibilities. In chapter one we meet Petur, who comes to a rich investor with a proposal in a manner reminiscent of Atlas Shrugged. The details are withheld from the reader, but some great error that threatens humanity has been discovered, and Petur is attempting to set things right, before it is too late, with a market-oriented plan of attack.

In the second chapter we meet Jeff, an undercover agent trying to throw a monkey wrench in the gears of a Mexican drug lord’s machine. He runs into a little trouble and a small twist at the end.

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Higher Cause by John Hunt
Higher Cause by John Hunt

In case you missed the announcement, Laissez Faire Books is serializing a novel on its blog. The first installment (of 22) was published yesterday, and subsequent installments will be published weekly on Wednesdays. The novel, Higher Cause, appears to be a present-day to near-future thriller. The description mentions new forms of energy as well, so it may be a techno-political thriller or a bit science-fictional.

The author, John Hunt, is an Austro-libertarian and a medical doctor, “a pediatric pulmonologist and allergist, former navy officer, tenured associate professor at the University of Virginia, cofounder of several companies, as well as Trusted Angels Foundation.” His bio also mentions that he’s written another novel titled Assume the Physician, “a spicy, eye-opening, tear-jerking, belly-laughing romp, and is chicken soup for anyone who struggles in the medical system of America.”

Hunt describes his novel as having “timely sweeping themes, active free-thinking characters, conflicts affecting the world, spies, guns, explosions, new forms of energy, sinister conspiracies, government plots, nationalization, destruction, and hope.”

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Living Proof by Kira Peikoff

Living Proof is the opera prima of Kira Peikoff, the daughter of Ayn Rand’s intellectual heir, Leonard Peikoff. In it, Peikoff uses a near-future setting to explore the logical conclusion of certain prolife arguments with which she disagrees. The plot of this thriller is well-structured and the writing, notwithstanding the occasional imperfection, is decent. However, in the end it gave me the same feeling I get from a dish made from good ingredients that nevertheless wants salt. Or pepper. Or oregano. Or something.

Arianna — a protagonist in the Randian tradition — is a brave, rational, free-thinking and beautiful doctor working at a fertility clinic in New York City in the year 2028. Embryos have been given the same legal status as human beings, and the Department of Embryo Protection is tasked with making sure that embryos not used in implantation are frozen and taken care of instead of being disposed of. The DEP chief becomes suspicious of Arianna when her clinic experiences a sudden and inexplicable surge in popularity. He sends Trent Rowe undercover to earn Arianna’s trust so he can find out what she is up to and if she is “murdering” embryos. What Trent discovers will challenge his beliefs, and he must make a choice between what he was raised to believe, and what Arianna has taught him.

Peikoff’s prose is decent, although she occasionally misuses words, which sound like notes of a melody played flat. On page 58, for instance, she uses “pretext” when she means “pretense.” On page 55 she uses “oblivion” when she cannot possibly have meant it.

She also has an affinity for metaphors, some of which go off well and help elucidate an idea. For instance, on page 261 she writes, “But recently the cells had been tantalizingly close to the goal, developing as astrocytes or microglia instead of oligodendrocytes, like Cokes instead of Diet Cokes.” However, there are just as many times when no metaphor is needed, or the one she chooses takes the reader out of the story. A good example is on page 163, where a character is said to be “trapped in an ethical straitjacket, laced tight with emotional strings.” It is not that the metaphor cannot convey the idea, but the particular one used seems a little silly and distracting, like a knowledgeable professor whose belly spills over the waistline of the pants he bought when he was 40 pounds lighter.

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