Geoffrey Allan Plauché

So it looks like a recently published spy thriller, Assassin of Secrets,1 was largely plagiarized by the “author” from quite a few other novels — some post-Fleming Bond novels and others.

Now, when someone like myself says he is against intellectual “property,” as an illegitimate government grant of monopoly privilege over something that cannot be owned (i.e., ideas), the responses are fairly predictable.

A common one is “Well, then what’s to stop me from copying your novel, changing the name on it, and selling it as my own?”

Well, your customers could sue you for fraud, for one thing. No need for copyright to make that possible.

For another, in the Internet age, you run a very high risk of being found out and ruining your reputation.

In this case, fans of James Bond novels discovered the plagiarism first. As you can imagine, fans can be mighty protective of their favorite books and authors. Try to rip one off and some fan is bound to spot it, and soon they’ll all be royally pissed.

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  1. A rather cheesy title, no? 

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BOOK REVIEW | For The Win by Cory Doctorow Thumbnail

Cory Doctorow’s latest YA novel, For The Win, just might be the Jungle of the digital age — a depiction of the plight of professional gamers and their struggle to unionize and extract concessions such as better pay, shorter hours, and safer working conditions (?!) from their employers through collective bargaining. Not being an avid gamer myself, much less a professional gold farmer, I’m left to wonder if it is as poorly researched and inaccurate as Upton Sinclair’s piece of socialist propaganda fiction. I expect left-libertarians will tend to like this novel but other libertarians will not. As for myself, I struggled to finish it and do not recommend it — as much because of the writing style and quality of writing as the subject matter.

For The Win opens with a gifted Chinese gold farmer — a working gamer who plays to collect game money and items to sell for “real” money to “rich,” lazy, mostly American gamers — in China who just happens to have the Western name of Matthew. He’s attempting to strike out on his own but is visited by Boss Wing’s goons and taught a lesson. Then we meet an American Jew in Los Angeles who goes by the Chinese name of Wei-Dong and moonlights, against his parents’ orders, as a gold farmer with some online buddies in China. Next, we’re introduced to Mala, aka General Robotwallah, a poor Indian girl with a talent for strategy and leadership, who is hired by a mysterious man to use her “army” to harass gold farmers in-game because they allegedly disrupt the game for honest, paying customers.

Before long we’re introduced to Big Sister Nor, a mysterious new figure on the scene who is out to organize working gamers into a union to fight corruption and improve their circumstances. As the novel progresses, we’re introduced to more characters, mostly in China and India, where the bulk of the action takes place. Perhaps the most notable is a female Chinese underground radio host who caters to the factory girls, giving them advice and urging them to stand up for themselves, while she dodges police raids, moving from safe house to safe house under a series of false identities.

One of the themes of the novel is how difficult it has been historically for workers to organize and how the internet (including social media and online games) provide game-changing tools for organizing labor. There is much truth to this, though I am skeptical that even the myriad tools of the internet can allow a voluntary global union to pull off anything like the ambitious scheme Cory’s protagonists endeavor to carry out in the novel. Although Cory has characters voice the usual skeptical objections to the efficacy of a voluntary global union, I don’t think he adequately addresses the difficulties such a union would face even in the digital age. Without state-backed coercion (directed at businesses, scabs, and their own members), how much power would a union really have, particularly spread out over the globe? Sure, gamers have an advantage in that they all work virtually in the same place — but still…

To Cory’s credit, however, he does depict a truly voluntary union whose leaders welcome freely competing unions in the market. The International Workers of the World Wide Web (IWWWW) or Webblies, as they call themselves,1 even eschew a formal hierarchy. The de facto head of the union at one point exclaims to her followers, “I’m not magic. … You all lead yourselves.” They also, admirably, do not seek compliance with their demands through legislation or regulation. Instead, they engage in self-help. Libertarians may find some of their methods questionable, however.

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  1. These terms were coined by Ken MacLeod, based on the real Industrial Workers of the World (or Wobblies), and borrowed by Cory Doctorow. 

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Vernor Vinge

Vernor Vinge

From the Reason.com blogpost:

Vernor Vinge is a former San Diego State University math professor and a Hugo award-winning science fiction novelist. In Vinge’s 1993 essay “The Coming Technological Singularity” Vinge wrote, “Within thirty years, we will have the technological means to create superhuman intelligence. Shortly after, the human era will be ended.”

We sat down with Vinge to learn more about his influences, his novels and the coming singularity.

Vinge’s latest novel, The Children of the Sky, will be released in October 2011.

Produced by Paul Feine, Alex Manning and Zach Weissmueller.

Approximately 7 minutes.

Go to reason.tv for downloadable versions and subscribe to Reason.tv’s YouTube Channel to receive notifications when new material goes live.

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Visions of Liberty
Martin H. Greenberg
Martin H. Greenberg

I’m rather late with this sad news, but I just read the obituary in the August digital issue of Locus Magazine a couple of days ago. Martin H. Greenberg died on June 25, 2011 after a long struggle with cancer. A political scientist like myself, Greenberg had a long, prolific, and influential career in genre fiction as an anthologist. He edited and co-edited more short fiction anthologies than I can probably read in a lifetime.

Freedom!

Greenberg’s death is particularly worth noting for libertarians because of two of his anthologies, co-edited with Mark Tier, that won the Prometheus Special Award in 2oo5: Give Me Liberty and Visions of Liberty, which have been collected into an omnibus anthology titled Freedom! The anthologies are stacked with top talent, including short stories by Vernor Vinge, Murray Leinster, A.E. van Vogt, Frank Herbert, Eric Frank Russell, Robert J. Sawyer, Mike Resnick and Tobias S. Buckell, Brad Linaweaver, Michael A. Stackpole, Jack Williamson, and more.

The back cover description of Freedom! reads in part:

As Thomas Jefferson put it, “That government is best which governs least.” And, as Will Rogers wryly quipped, “We’re lucky we don’t get the government we pay for!” In the future, eternal vigilance against our own government will be even more important than vigilance against hostile outsiders.

This stellar roster of writers consider how a truly free society could operate, how the Soviet Union might have fallen apart even earlier because of an apparently harmless device, how a low-tech society might throw off the influence of more “advanced” intruders, how the right to own weapons is fundamental to freedom, and more.

In the future, freedom may be even more threatened than in our present — and this volume suggests original and unusual ways of defending it.

I’m very much interested in publishing a review of Freedom!, or reviews of Give Me Liberty and Visions of Liberty, although I will review Freedom! myself eventually if I don’t receive any submissions.

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In my last news roundup, I briefly discussed the Encyclopedia of Science Fiction being put online for free by Gollancz. At the time, I speculated: “Why [put it online for free]? Oh, I don’t know, maybe reading through the encyclopedia will tempt people into buying more books and ebooks of and about the stories and authors described within it.” This was before I had heard about Gollancz’s new SF Gateway imprint.

SF Gateway will be publishing online in ebook form a catalog numbering in the thousands of out-of-print backlist books from its authors. Including “the classic SF pulp writers of the Golden Age right through to modern award-winning authors,” SF Gateway purports to be “the largest library of digital Science Fiction and Fantasy ever assembled.” All of these titles will naturally be directly interlinked with author and title entries in the Encyclopedia of Science Fiction, so the encyclopedia will serve as a handy way to spur sales. The SF Gateway site will also serve in part as a social network, which is another clever idea — build up an online community around the encyclopedia and that large library of sf&f ebooks. You can read more about it in the pdf press release.

Also in the last news roundup, I mentioned some innovations in publishing. Here is some more info on a couple of them:

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  • From Mike P. over at The Emptiness comes “Socialism: A love story — Star Trek,” in which he discusses his love affair with Star Trek and how realizing it’s a utopian socialist fantasy actually makes the show more enjoyable.
  • From SF Signal comes news that the Hugo Award–winning Encyclopedia of Science Fiction, edited by John Clute and Peter Nicholls, is receiving a long-awaited update to its third edition (the last, second, edition was published in 1993) and — wait for it — is being made available for free online. Why? Oh, I don’t know, maybe reading through the encyclopedia will tempt people into buying more books and ebooks of and about the stories and authors described within it. And simply keeping the history of the genre alive and readily accessible to future generations is a worthy endeavor in itself, of course.

    From the press release:

    The third edition of the Encyclopedia of Science Fiction, the definitive reference work in the field, will be released online later this year by the newly-formed ESF, Ltd, in association with Victor Gollancz, the SF & Fantasy imprint of the Orion Publishing Group, whose support will enable the text to be available free to all users. This initial “beta” version, containing about three-quarters of the total projected content, will be unveiled in conjunction with Gollancz’s celebrations of its 50th anniversary as a science fiction publisher.
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NEWS | 2011 Prometheus Award Winners Announced Thumbnail

Darkship Thieves by Sarah HoytThe Libertarian Futurist Society has announced this year’s winners of their Best Novel and Hall of Fame awards.

Alas, I didn’t get around to reading and reviewing Cory Doctorow’s For the Win in time for the voting, but I still plan on doing so. Matthew Alexander reviewed another of the finalists, L. Neil Smith’s Ceres.

Here’s the official press release:

The Libertarian Futurist Society will hold its annual awards ceremony for the Prometheus Award during Renovation, the 69th World Science Fiction Convention, to be held Aug. 17-21 in Reno, Nevada. The specific time and location will be available in the convention program.

The winner of the Best Novel award is Darkship Thieves, by Sarah Hoyt (Baen Books). The Hall of Fame award was won by Animal Farm, a short novel written by George Orwell in 1945. Sarah Hoyt will receive a plaque and a one-ounce gold coin, while a smaller gold coin and a plaque will be presented to Orwell’s estate.

Darkship Thieves features an exciting, coming-of-age saga in which a heroic woman fights for her freedom and identity against a tyrannical Earth. Hoyt’s novel, dedicated to Robert A. Heinlein, depicts a plausible anarchist society among the asteroids. Hoyt is a prolific writer of novels and short fiction, though this is her first time as Prometheus finalist.

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