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I’m finally getting around to writing about two short stories published late last year that were written by libertarian authors. Both are works of literary fiction.

One of the stories is by our very own Allen Mendenhall. “Communitas” was published in the online quarterly magazine of literary fiction, Full of Crow, in October 2011. You can read it online in full for free. The story is set in Okmulgee, Oklahoma and is told from the point of view of a nameless old man obsessing over a lost… loved one? It strikes me as a rather bleak tale about the modern breakdown of identity, social relationships, and moral decency.

Allen is a multi-talented writer, attorney, editor, and teacher. Visit his website to learn more about him. Also, check out his interview with Jeffrey Tucker.

The other story, “Pretty Citadel,” is by Kerry Howley and was published in The Paris Review, also an online quarterly magazine of literary fiction, in the Fall 2011 issue, No. 198. The first four paragraphs of the story can be read online for free, but you’ll have to purchase the issue for $12 in order to read it in full.

“Pretty Citadel” is set in Burma, in a local newspaper office, and is told from the point of view of a woman (I assume) who works there. Her boss talks of revolution, though it’s not clear it’s the political kind. There’s mention of most everything besides the newspaper being banned — it being an exception because it is censored before publication by a government bureaucrat — and of politically incorrect people being disappeared. I like the way the brief glimpses into the workings of the totalitarian Burmese regime are casually interspersed between cynical descriptions of Burma and the POV character’s work. But that’s about all I can tell you about this story, as I’m not about to pony up $12 for one short story, however good it may be.

Kerry Howley is a former editor of a Burmese newspaper (which would help explain the story’s setting, I suppose) and a senior editor of Defunct: A Literary Repository for the Ages. You may already know her from her work as a contributing editor for Reason Magazine as well as some tv news appearances. Visit Kerry’s website to learn more about her and for links to some of her articles online.

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This post is the first in a new series in which we will highlight new and recent fiction publications by libertarian authors. If you think there are any we might have missed, please do let us know. If you’re interested in reviewing any of these stories, contact me.

If you seek power over others, how much of an advantage does raw intelligence gain you?

If you look at the makeup of the US Congress — which now has a 9% percent approval rating — or if you watch the Republican debates, you are not immediately inclined to label either the smart set.  In fact, you have to be a dim bulb to repeatedly say many of the things that seem necessary for electability. On the other hand, a certain amount of cleverness is obviously necessary to outwit the media and your opponents.

Which is it? Two films that explore the relationship between power and brains are Being There (1979) and Limitless (2011). The films came out thirty years apart but deal with the same issues. Being There suggests that being dumb as a chicken is a huge advantage for those who seek political success. Limitless suggests that politics is the inevitable trajectory of a person who is far more intelligent than everyone else. Which is more realistic?

I’ll state my own view up front: politics is a gigantic waste of brains. If a person really has a gift for high-level thought, almost any profession would be a greater betterment to society and probably more self-fulfilling in the long run. Whereas it was probably once true that the political life attracted some of the best and brightest, it no longer seems true at all today.

Being There is both hilarious and serious, worth sitting down with at least once every few election seasons. Peter Sellers and Shirley MacLaine star in this adaptation of a novel by Jerzy Kosinski about an illiterate and simple-minded man named Chance who happened to be in the right place at the right time. His utterances are few and most concern what he has done his entire life, which has been to tend one garden on one estate and otherwise watch television.

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The Institute for Humane Studies, through its academic social network Kosmos Online, has an irregular podcast series on science fiction and liberty of the “Themes of Liberty in (insert favorite sci fi tv show/book/game here)” variety.

Here’s a list of the episodes so far:

• Amy Sturgis: General Themes of Liberty in Science Fiction
• Amy Sturgis: Firefly and Serenity
• Ilya Somin: Battlestar Galactica
• Ilya Somin: Star Trek
• Ilya Somin: Hunger Games
• Brad Birzer: The Works of J.R.R Tolkien
• Joseph Packer: World of Warcraft and Spontaneous Order
• Aeon Skoble: The Twilight Zone
• Amber Taylor: Game of Thrones

So it looks like a recently published spy thriller, Assassin of Secrets,¹ was largely plagiarized by the “author” from quite a few other novels — some post-Fleming Bond novels and others.

Now, when someone like myself says he is against intellectual “property,” as an illegitimate government grant of monopoly privilege over something that cannot be owned (i.e., ideas), the responses are fairly predictable.

A common one is “Well, then what’s to stop me from copying your novel, changing the name on it, and selling it as my own?”

Well, your customers could sue you for fraud, for one thing. No need for copyright to make that possible.

For another, in the Internet age, you run a very high risk of being found out and ruining your reputation.

In this case, fans of James Bond novels discovered the plagiarism first. As you can imagine, fans can be mighty protective of their favorite books and authors. Try to rip one off and some fan is bound to spot it, and soon they’ll all be royally pissed.

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1. A rather cheesy title, no? ↩

Cory Doctorow’s latest YA novel, For The Win, just might be the Jungle of the digital age — a depiction of the plight of professional gamers and their struggle to unionize and extract concessions such as better pay, shorter hours, and safer working conditions (?!) from their employers through collective bargaining. Not being an avid gamer myself, much less a professional gold farmer, I’m left to wonder if it is as poorly researched and inaccurate as Upton Sinclair’s piece of socialist propaganda fiction. I expect left-libertarians will tend to like this novel but other libertarians will not. As for myself, I struggled to finish it and do not recommend it — as much because of the writing style and quality of writing as the subject matter.

For The Win opens with a gifted Chinese gold farmer — a working gamer who plays to collect game money and items to sell for “real” money to “rich,” lazy, mostly American gamers — in China who just happens to have the Western name of Matthew. He’s attempting to strike out on his own but is visited by Boss Wing’s goons and taught a lesson. Then we meet an American Jew in Los Angeles who goes by the Chinese name of Wei-Dong and moonlights, against his parents’ orders, as a gold farmer with some online buddies in China. Next, we’re introduced to Mala, aka General Robotwallah, a poor Indian girl with a talent for strategy and leadership, who is hired by a mysterious man to use her “army” to harass gold farmers in-game because they allegedly disrupt the game for honest, paying customers.

Before long we’re introduced to Big Sister Nor, a mysterious new figure on the scene who is out to organize working gamers into a union to fight corruption and improve their circumstances. As the novel progresses, we’re introduced to more characters, mostly in China and India, where the bulk of the action takes place. Perhaps the most notable is a female Chinese underground radio host who caters to the factory girls, giving them advice and urging them to stand up for themselves, while she dodges police raids, moving from safe house to safe house under a series of false identities.

One of the themes of the novel is how difficult it has been historically for workers to organize and how the internet (including social media and online games) provide game-changing tools for organizing labor. There is much truth to this, though I am skeptical that even the myriad tools of the internet can allow a voluntary global union to pull off anything like the ambitious scheme Cory’s protagonists endeavor to carry out in the novel. Although Cory has characters voice the usual skeptical objections to the efficacy of a voluntary global union, I don’t think he adequately addresses the difficulties such a union would face even in the digital age. Without state-backed coercion (directed at businesses, scabs, and their own members), how much power would a union really have, particularly spread out over the globe? Sure, gamers have an advantage in that they all work virtually in the same place — but still…

To Cory’s credit, however, he does depict a truly voluntary union whose leaders welcome freely competing unions in the market. The International Workers of the World Wide Web (IWWWW) or Webblies, as they call themselves,¹ even eschew a formal hierarchy. The de facto head of the union at one point exclaims to her followers, “I’m not magic. … You all lead yourselves.” They also, admirably, do not seek compliance with their demands through legislation or regulation. Instead, they engage in self-help. Libertarians may find some of their methods questionable, however.

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1. These terms were coined by Ken MacLeod, based on the real Industrial Workers of the World (or Wobblies), and borrowed by Cory Doctorow. ↩

From the Reason.com blogpost:

Vernor Vinge is a former San Diego State University math professor and a Hugo award-winning science fiction novelist. In Vinge’s 1993 essay “The Coming Technological Singularity” Vinge wrote, “Within thirty years, we will have the technological means to create superhuman intelligence. Shortly after, the human era will be ended.”

We sat down with Vinge to learn more about his influences, his novels and the coming singularity.

Vinge’s latest novel, The Children of the Sky, will be released in October 2011.

Produced by Paul Feine, Alex Manning and Zach Weissmueller.

Approximately 7 minutes.

Go to reason.tv for downloadable versions and subscribe to Reason.tv’s YouTube Channel to receive notifications when new material goes live.